Benjamin Button is born onto the West End stage with a hunchgambling slots, a walking stick and venerable observations more suitable to a wizened man than a newborn.
“You’re only as old as you feel,” Button quips to his parents, who are aghast that their long-awaited baby seems to be a 70-year-old man. “Do you mind if I smoke?”
Age aside, “The Curious Case of Benjamin Button,” a folk-rock musical adaptation of the F. Scott Fitzgerald short story opening Wednesday at the Ambassadors Theater in London, explores earnest and existential questions of how and where to live. The broad strokes of the story might be most familiar from David Fincher’s 2008 film of the same name, which starred a backward-aging Brad Pitt and opened in New Orleans.
But this onstage Button lives a different life altogether. He’s born in 1918 in a blustering, harbor village in Cornwall, at the southwestern tip of England, as something of a shut-away, before breaking free in search of romance and adventure. A 13-person cast of actor-musicians is onstage nearly the entire time, giving the show the feel of a fable merged with a Mumford & Sons concert.
In the show, time moves in quick jumps, but for the creators behind this fairy tale retelling, Jethro Compton and Darren Clark, the project has been a long endeavor. The show, their first to open in the West End, started life about eight years ago as a project that Compton called “Untitled Cornish Musical.”
ImageJethro Compton and Darren Clark, the creators of the musical.Credit...Sam Bush for The New York TimesWe are having trouble retrieving the article content.
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